Discussion with Dr. Daniel Schrag and Diane Paulus (5/26/16) - a podcast by American Repertory Theater

Daniel P. Schrag is the Sturgis Hooper Professor of Geology at Harvard University, Professor of Environmental Science and Engineering, and Director of the Harvard University Center for the Environment. Schrag studies climate and climate change over the broadest range of Earth history. He is particularly interested in how information on climate change from the geologic past can lead to better understanding of anthropogenic climate change in the future. In addition to his work on geochemistry and climatology, Schrag studies energy technology and policy, including carbon capture and storage and low-carbon synthetic fuels. Schrag currently serves on President Obama's Council of Advisors on Science and Technology. Among various honors, he is the recipient of the James B. Macelwane Medal from the American Geophysical Union and a MacArthur Fellowship. Schrag earned a B.S. in geology and geophysics and political science from Yale University and his Ph.D. in geology from the University of California at Berkeley. He came to Harvard in 1997 after teaching at Princeton.

Diane Paulus is the Terrie and Bradley Bloom Artistic Director of the American Repertory Theater (A.R.T.) at Harvard University, and was selected for the 2014 TIME 100, TIME Magazine’s annual list of the 100 most influential people in the world. Paulus is the 2013 recipient of the Tony Award for Best Director of a Musical (Pippin). A.R.T.: Eve Ensler's In the Body of the World, Waitress (currently on Broadway at the Brooks Atkinson Theater), Crossing (a new American opera with music and libretto by Matt Aucoin), Finding Neverland (currently on Broadway at the Lunt-Fontanne Theatre), Witness Uganda, Pippin (Tony Award, Best Revival and Best Director), The Gershwins’ Porgy and Bess (Tony Award, Best Revival, NAACP Award, Best Direction), Prometheus Bound, Death and the Powers: The Robots’ Opera, Best of Both Worlds, Johnny Baseball, The Donkey Show. Her other recent work includes Cirque du Soleil’s Amaluna, currently on tour in Europe, Invisible Thread at Second Stage, The Public Theater’s Tony Award-winning revival of HAIR on Broadway and London’s West End. As an opera director, her credits include The Magic Flute, the complete Monteverdi cycle, and the trio of Mozart-Da Ponte operas, among others. Diane is Professor of the Practice of Theater in Harvard University’s English Department. She was selected as one of Variety’s “Trailblazing Women in Entertainment for 2014” and Boston Magazine’s “50 Thought Leaders of 2014.”

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