002 - Michael Eastman - a podcast by Kevin Kelly

from 2019-07-10T01:36:34

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Michael Eastman is an artist working with a camera.


eastmanimages.com


@michaeleastmanphotography


 


  4:00 - Dude 


  5:00 - Big Lebowski/Jeff Bridges/Weed


  8:50 - St. Louis slow to change visually


11:10 - Rate of Urban Renewal in STL


14:45 - Beginnings as a photographer


15:05 - “A lot of times when I went out and photographed my mantra was, ‘If I were aware of what people 150 years from right now were interested in, then I would photograph those things. They’d be significant records; historical records. And a photographer, unlike many artists, is really part historian. What they’re doing is recording a reality in time, that changes. So that was meaningful for me to see these changes and to record them. To do a portrait of a place.” - Eastman


17:30 - Why did Eastman get into photography in the first place?


19:10 - College years/Entering the workforce


23:10 - The attraction of photography


24:00 - The Daybooks of Edward Weston


24:30 - First Photographs as a “Photographer”


 


26:45 - Emotion in photography


27:03 - “What you feel about a photograph is transmitted, translated, communicated into print.” - Eastman


28:45 - Photograph things that you have feelings about


29:25 - Ansel Adams & Others


31:40 - First photo jobs


38:39 - “When I started, there was all these voices in my head. There were critics, gallery owners, museum curators, my parents, their friends – there was a Shakespearean chorus of naysayers telling me I couldn’t, shouldn’t, wouldn’t do it. Those voices propelled me.” - Eastman


40:25 - Relating Michael’s Story to the concept of Anti-


42:00 - Eastman’s First Show at Washington University


44:40 - Maintaining an attitude of incompleteness


49:00 - Sitting on your work for awhile


50:00 - Knowing William Gass


54:30 - Shooting Forest Park & showing them to Gass in his last years


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58:15 - Reinvesting back into yourself


1:00:00 - Commercial vs. Fine Art Work


1:00:15 - Shooting Nudes as Landscape


1:06:00 - Finding success in fine art later in life


1:09:00 - Success is the most difficult thing for an artist to overcome


1:11:05 - Vivian Maier


1:12:50 - Lee Friedlander


1:13:50 - Gaining a national reputation with commercial work


1:20:00 - Low overhead = more freedom


1:21:00 - Learning about studio lighting


1:22:00 - Shooting on location


1:26:00 - 9/11 & No Work


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1:29:00 - Overview of Eastman’s fine art work


1:33:00 - The importance of printmaking


1:40:00 - What Eastman’s working on now


1:46:00 - When photography became recognized in the art world



1:49:00 - Agoraphobia


1:52:00 - Childhood fears 


1:54:28 - A Ghost Story


1:57:30 - Composition/Framing


2:04:30 - Originality


2:06:00 - Cuba


2:07:00 - Buena Vista Social Club


2:08:00 - Traveling to Cuba


2:11:00 - Isabella's Two Chairs


2:14:00 - Havana


2:17:00 - Book sales lead to gallery openings


2:19:00 - Traveling photo show


2:21:20 - The Price of Everything


2:23:30 - NOLA and Current Photo work


2:25:00 - Forest Park Retrospective


2:30:00 - Leaving instagram


2:32:30 - Waking up with something to do


2:33:30 - Feeling mortal


 

Further episodes of Anti-

Further podcasts by Kevin Kelly

Website of Kevin Kelly