John Douglas Millar - a podcast by Art Monthly

from 2021-01-31T22:10:42.023393

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John Douglas Millar discusses the Gerhard Richter exhibition at Tate Modern: ‘As this exhibition well demonstrates, Richter’s work contains a dual critique that acts as a painterly plague on both houses of the Cold War divide. There is the desire, on the one hand, to suspend and/or indict ideological thinking, coupled with the will to mourn its effects on his country and his people.’