CastYourArt - New Viennese Violins. A Virtuoso Craft (de) - a podcast by CastYourArt.com

from 2009-11-10T15:30

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New Viennese Violins - A Virtuoso Craft

Violins are often only spoken about when they are stolen. However, before they can be stolen, they have to be built, and this is the aspect on which we focus in this podcast.

The “New Viennese Violins“ Association came about based on an idea from Christoph Schachner, to bring professional and amateur musicians closer to high-quality, newly manufactured instruments. These offer a better alternative to the mystified, often overestimated old instruments. “As a result of violins being treated like antiques, a myth has developed around them which is often incomprehensible. Hence, a new violin often costs only a quarter or fifth of what an old violin of similar quality costs“, says Nupi Jenner, a member of the association.

The production of violins is a complex experience, a craft which involves an intuitive process. The knowledge required for the selection of the wood that is suitable for building stringed instruments developed over many generations. The cover is frequently made from spruce and the remaining parts from maple. It can be very difficult to find the right kind of spruce to build the instruments, even in a dense forest. For larger instruments, like the cello or double bass, willow and poplar trees are also used. The selection from a wood dealer who specializes in instrument-making is left up to the discretion of each instrument-maker.

In order to develop instruments of equal high quality, it is necessary to keep the parameters as consistent as possible. Nevertheless, in the end, each instrument has its own character. Achieving consistency in the production can be almost impossible, even when scientific procedures and computerized measuring techniques are utilized. Thus, the virtuosity of the violin craft always remains a bit mysterious.

Since objective assessments of a certain quality level are difficult to establish, the purchase depends very much on the personal approach of the musician, his/her sensitivity to tone, physical requirements, financial options, and the kind of advise and maintenance he/she expects from the violin-maker.

Once a year, those who would like to produce, play, and/or listen to the “New Viennese Violins“ gather at the Radio Kulturhaus in Vienna. In the context of instrument presentation, the partly newly-built stringed instruments of renowned musicians are played. There, one can directly encounter violin-makers, musicians, and experts involved with the new stringed instruments and become convinced of their sound quality in person. (wh/jn).

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