Sonic Acts 2019: Post-Screening Discussion with Maeve Brennan - a podcast by Sonic Acts

SONIC ACTS FESTIVAL 2019 – HEREAFTER
Post-Screening Discussion: Maeve Brennan in conversation with Mirna Belina
22 February – De Brakke Grond, Amsterdam, The Netherlands

Following the screening of Listening in the Dark (44 min, 2018), Maeve Brennan discusses the film with Mirna Belina and takes questions from the audience.

Maeve Brennan’s film Listening in the Dark (44 min, 2018) takes a documentary approach, gathering a series of subtle yet penetrating soundings of human beings’ impact on the natural environment. Undisturbed, and largely unchanged for millions of years, bats’ nocturnal rhythms are being increasingly interrupted by the presence of wind turbines. While noting how such well-intentioned technological developments are affecting the atmosphere in ways we do not always appreciate, Brennan also illuminates how scientific research has revealed a whole sensory dimension that we were previously oblivious to. The film circles around the figure of Donald Griffin, pioneering zoologist and early advocate of animal consciousness, whose researches into bat navigation helped shape our understanding of the concept of echolocation. Following his example, Brennan reminds us, too, of other natural marvels – from the mysteries of animal evolution or the deep historical time of geology – that reveal not only our humbling insignificance in the bigger scheme of things, but also the disproportionate damage we are capable of doing to the planet.

Director: Maeve Brennan; Director of photography: Jamie Quantrill; Editor: Mariko Montpetit; Producer: Laura Shacham

Listening in the Dark was commissioned for the Jerwood/?FVU Awards 2018: Unintended Consequences, a collaboration between Jerwood Charitable Foundation and Film and Video Umbrella.

Maeve Brennan is a London-based artist and filmmaker. Her recent solo exhibitions include Listening in the Dark at Jerwood Space, London, and Mother’s Tankstation, Dublin; The Drift at Chisenhale Gallery, London, and Spike Island, Bristol (all 2017); and Jerusalem Pink, OUTPOST, Norwich (2016). She was educated at Goldsmiths, University of London, and was a fellow of the Home Workspace Programme at Ashkal Alwan in Beirut (2013?–?14). She received the Jerwood/?FVU Award 2018 and her film The Drift was screened at International Film Festival Rotterdam.

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