Rone in Geelong - a podcast by JOY 94.9 - LGBTI, LGBTIQA+, LGBTQIA+, LGBT, LGBTQ, LGB, Gay, Lesbian, Trans, Intersex, Queer Podcasts for all our Rainbow Communities

from 2021-02-21T05:49:44

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Geelong Gallery

55 Little Malop Street

Geelong VIC 3220 Australia

Geelong Gallery

27 February to 16 May 2021

Geelong Gallery is proud to announce

the rescheduling of RONE in Geelong

following nationwide gallery closures

due to the COVID–19 pandemic.

The exhibition will now open on

27 February 2021.

Acclaimed for his major transformations

of abandoned spaces worldwide and

his sell-out installation, EMPIRE, at

Burnham Beeches in 2019, RONE returns

to his hometown of Geelong with his

first survey exhibition and a unique and

immersive experience set to delight

audiences.

Over the last two decades, RONE

has built an exceptional reputation

for large-scale wall paintings and

entrancing installations that explore

concepts of beauty and decay. Geelong

Gallery’s presentation will include the

first comprehensive solo survey of

the artist’s career from early stencil

works and street art, to photographs

that document his transformation of

abandoned spaces (one of which will

be brought to life in a 3D recreation,

commissioned for this exhibition).

The exhibition will also take visitors on a

journey through a unique commissioned

installation, with RONE transforming one

of the Gallery’s most significant rooms

in response to the architecture and

history of the building, as well as the

Gallery’s permanent collection. A multi-

media experience will connect visitors

back into the urban environment where

the artist’s works have been painted in

abandoned properties.

For the commissioned installation,

RONE has taken inspiration from the

architecture of the Douglass Gallery,

one of the most historical rooms in

the building’s evolution. This room’s

scale and architectural and ornamental

features—such as ionic pilasters,

horizontal dado, and ceiling skylights—

have led RONE to consider the beauty

and grandness of the architecture of

earlier eras, and the inevitable decay of

spaces (when not valued and cared for).

Additional inspiration has come from

the highly decorative interiors of

Baroque grand palazzos in Venice, and

the traditions of trompe l’oeil painting

employed to simulate architectural

details. Working with interior stylist Carly

Spooner, RONE’s transformation of the

room from a grand reception venue to

a now derelict site, will incorporate his

signature painted murals and a haunting

new soundtrack by composer and

collaborator Nick Batterham.

The project has also seen RONE’s

re-engagement with a collection

he visited in his youth. Works such

as the Gallery’s iconic A bush burial

by Frederick McCubbin (1890) and

several portraits are referenced in the

installation, as are a number of early

landscapes of Geelong. The decorative

arts collection—and particularly the work

of local early 20th century china painter

Florence Royce—has inspired the

general colour palette of the installation.

Artist, RONE says ‘Working in my home

town is special. I had to leave to come

back, but Geelong Gallery has given me

the recognition to further my career; my

first institutional solo exhibition. Geelong

has done that for me’.

RONE continues: ‘My show is an ode to

abandoned spaces and a reminder to

value the original treasure they once

were. Influenced by the architecture

of the building and the toll of time,

the central installation preserves an

imagined moment of the space adorned

at its finest and left to slowly deteriorate.

Featuring a push and pull between light

and dark, viewers may be compelled

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