Paper Girls - a podcast by Matt Feury

from 2022-08-22T07:00:31

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Editors - Robert Komatsu ACE, Emily E. Greene ACE, Ivan Victor ACE, Jennifer Barbot ACE

PAPER GIRLS editors Rob Komatsu and Emily Greene make their triumphant return to THE ROUGH CUT, having previously visited to discuss their work on the FX/HULU series, MRS. AMERICA (2020).  Although Ivan Victor and Jennifer Barbot are joining the podcast for the first time, both editors bring with them a wealth of tv editing experience in documentary/reality, comedy, sci-fi and drama.

PAPER GIRLS follows four young girls who, while out delivering papers during the dark morning hours after Halloween in 1988, become unwittingly caught in a conflict between warring factions of time-travelers, sending them on an adventure through time that will save the world. As they travel between time periods, they encounter future versions of themselves and must choose to embrace or reject their fate.  It is based on the 2015–2019 comic book series of the same name written by Brian K. Vaughan and illustrated by Cliff Chiang.

ROBERT KOMATSU ACE

Editor Rob Komatsu is know for his work on; AMERICAN HORROR STORY (2011), HALT AND CATCH FIRE (2014-17), THE X-FILES (2016-18) and MRS. AMERICA (2020).

EMILY E. GREENE ACE

The work of editor Emily Greene can be found in; THE BLACKLIST (2015-17), AMERICAN CRIME STORY (2018), MRS. AMERICA (2020) and FOUNDATION (2021).

IVAN VICTOR ACE

Editor Ivan Victor has edited such tv series as; PARKS AND RECREATION (2009-12), THE GOLDBERGS (2013-14), LODGE 49 (2018-19) and KEVIN CAN F**K HIMSELF (2021).

JENNIFER BARBOT ACE

Editor Jennifer Barbot's work can be seen in; UGLY BETTY (2007-10), JESSICA JONES (2018), THE MAN IN THE HIGH CASTLE (2019) and RAISED BY WOLVES (2020).

Editing PAPER GIRLS

In our discussion with the editors of PAPER GIRLS, we talk about:

  • Finding time to explore the characters between the sci-fi set pieces
  • Building a killer robot battle
  • To keyframe or to not keyframe
  • Running ADR over Zoom
  • Using less score for bigger impact

The Credits

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