Gameli Adzaho | Global Lab Network | Tangana: Maker’s Brunch - a podcast by ZKM | Zentrum für Kunst und Medien Karlsruhe

from 2019-11-29T15:43:22

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Digital Imaginaries - Africas in Production | Opening Weekend

[18.11.2018]

On the weekend following the opening of the research and exhibition project »Digital Imaginaries – Africas in Production«, a comprehensive supporting program was offered at the ZKM.
In addition to discussions with artists from various African countries, there had been guided tours through the exhibition with the international curators and artists, as well as a coding workshop and a maker's brunch with representatives of maker spaces from Togo, Ghana, Senegal and local initiatives from Karlsruhe.

Presentation with
the Woe Lab (Togo),
Agbogbloshie Makerspace Platform (Ghana),
Fablab »DEFKO AK NI?P« (Senegal),
Tshimologong Digital Innovation Precinct (South Africa), and local initiatives
from Karlsruhe

Africa is changing – radically – and digitization is playing a pivotal role. On this continent that has the world’s youngest population, digital practices are emerging that transform Africa’s societies and their global perception.
Apps and digital content developed in Africa are increasingly entering the global technosphere. African digital infrastructures meanwhile remain marked by local and global asymmetries despite the widespread use of mobile phones. New forms of digital inequality are accompanying the rise of a number of well-connected digital hubs and scenes. African digital innovations and practices still rely on infrastructures dominated by the Global North, and increasingly also by China.

The exhibition and research project »Digital Imaginaries«, which was developed in collaboration with partners in Dakar and Johannesburg, takes this contradictory diversity of digital phenomena in Africa as its point of departure. Like the exhibitions, workshops, and events that took place in Senegal and South Africa as part of the project, the contributions now to be seen at the ZKM are by no means confined to describing digital transformations. Many of the works featured in this show engage with African histories, practices, and conditions to glean inspiration for emancipated digital futures that will withstand market-oriented interests and post-colonial hegemonies. Starting from artists’ positions which have developed in various countries on the African continent and in the African diaspora, the works featured in the exhibition articulate the necessity for more diverse, richer global digital imaginaries.

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